"Casino Royale" as a retirement work, 3rd performance in Tok…
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Performance at 3:30pm on May 20, 2023
I got a good seat and went to see the show.
I feel a sense of loneliness creeping up on me as I think about the fact that I'm only a month away from graduating...
At the previous performance, while I was waiting in line to go to the restroom, two ladies behind me were talking, "You know, that...the one with the black panther...I think." Ah, I think they were talking about Yuzuki's retirement performance. I didn't hear what they were saying before or after.
It's often said that retirement performances are never good.
Those who have become fans fairly recently might be thinking, "Eh, but aren't "Land of the Gods" and "Sakura Storm" good? But no, that's really all they've been doing lately (lol)←my opinion. It's also significant that both were written by Kumiko Ueda-sensei.
I'm thinking now that it must be very difficult to create a work that focuses on "people" as a work by a top star who is leaving the company, but is also worthy of being watched as a story.
By the way, I much prefer "Land of the Gods". "Sakura Ran-ki" is well-constructed, and it's full of tear-jerking moments, just like Jiro Asada, but I think it's a bit too explanatory. Maybe it can't be helped since it's a story about the little-known Northern and Southern Dynasties...
This "Casino Royale" is also completely designed for a departing star, so you need to have learned how to enjoy it in your own way to watch it.
On the first day, even I thought "What is this patchwork?" and the way the script was used to get laughs is (to be honest) different from my taste, so I was disappointed.
On the first day of "fff", Nozomi's final work, I felt dizzy, thinking "Wow, is this her retirement?" (laughs) Maybe it's fate.
Still, I gradually came to accept this "Casino Royale" as I went to see it more and more, and I started to enjoy every single scene, from Makaze-san's costume changes, the singing ability of the strange Kiki-chan who always has a secret base, the cuteness of the weak Zun-chan, Moeko who is still in the process of becoming more sophisticated, Kotti's grittiness, Hinako Anon's pairing... I guess the troupes can't change the script after all.
There are some things I can't write about Makaze-san right now, but I've been watching her since she was in her third year of training, and I remember her constantly crying because she couldn't do it, worrying about her lack of individuality in the strong Hoshigumi troupe, and yet she was constantly being promoted and had no time to stop... I can't help but superimpose those past events onto her standing on the stage now.
In that moment, the smug phrase "There are no good performances for retirement performances" fades and becomes more distant.
I tend to watch works rather than "people," but even I can't look at Makaze Suzuho without remembering his works.
Yes, as a very personal story.
Takarazuka Revue is an accumulation of such personal stories.
For both the performers and the audience.
Seeing her shine brighter than ever in the finale, I thought once again of the "final light," even though I have seen the white light of many departing performers. The eye-piercing light that a candle gives off just before it goes out, as it burns out towards the appointed time...
Until now, I thought of her as someone with a heavy presence rather than a "sparkly" type, not a fairy but a real man (or something like it), more of a king than a prince...
However, the reason she is gaining an indescribable glow as the performance draws to a close is probably not just because of her jacket covered in sequins...
When I see her like that, I can't help but cry.
The journey she has walked may be a common one for a top star from a wealthy family, but I have been watching her for a long time. At the same speed as my own life, in real time.
So I think these tears should be mine alone.
There are only a few more times I can see top star Masumi Suzuho.
[Postscript] I'm crying after watching "Aqua Vite" on Sky Stage. It's hard to feel this way unless you've experienced your favorite actor leaving the company.
Performance at 3:30pm on May 20, 2023
I got a good seat and went to see the show.
I feel a sense of loneliness creeping up on me as I think about the fact that I'm only a month away from graduating...
At the previous performance, while I was waiting in line to go to the restroom, two ladies behind me were talking, "You know, that...the one with the black panther...I think." Ah, I think they were talking about Yuzuki's retirement performance. I didn't hear what they were saying before or after.
It's often said that retirement performances are never good.
Those who have become fans fairly recently might be thinking, "Eh, but aren't "Land of the Gods" and "Sakura Storm" good? But no, that's really all they've been doing lately (lol)←my opinion. It's also significant that both were written by Kumiko Ueda-sensei.
I'm thinking now that it must be very difficult to create a work that focuses on "people" as a work by a top star who is leaving the company, but is also worthy of being watched as a story.
By the way, I much prefer "Land of the Gods". "Sakura Ran-ki" is well-constructed, and it's full of tear-jerking moments, just like Jiro Asada, but I think it's a bit too explanatory. Maybe it can't be helped since it's a story about the little-known Northern and Southern Dynasties...
This "Casino Royale" is also completely designed for a departing star, so you need to have learned how to enjoy it in your own way to watch it.
On the first day, even I thought "What is this patchwork?" and the way the script was used to get laughs is (to be honest) different from my taste, so I was disappointed.
On the first day of "fff", Nozomi's final work, I felt dizzy, thinking "Wow, is this her retirement?" (laughs) Maybe it's fate.
Still, I gradually came to accept this "Casino Royale" as I went to see it more and more, and I started to enjoy every single scene, from Makaze-san's costume changes, the singing ability of the strange Kiki-chan who always has a secret base, the cuteness of the weak Zun-chan, Moeko who is still in the process of becoming more sophisticated, Kotti's grittiness, Hinako Anon's pairing... I guess the troupes can't change the script after all.
There are some things I can't write about Makaze-san right now, but I've been watching her since she was in her third year of training, and I remember her constantly crying because she couldn't do it, worrying about her lack of individuality in the strong Hoshigumi troupe, and yet she was constantly being promoted and had no time to stop... I can't help but superimpose those past events onto her standing on the stage now.
In that moment, the smug phrase "There are no good performances for retirement performances" fades and becomes more distant.
I tend to watch works rather than "people," but even I can't look at Makaze Suzuho without remembering his works.
Yes, as a very personal story.
Takarazuka Revue is an accumulation of such personal stories.
For both the performers and the audience.
Seeing her shine brighter than ever in the finale, I thought once again of the "final light," even though I have seen the white light of many departing performers. The eye-piercing light that a candle gives off just before it goes out, as it burns out towards the appointed time...
Until now, I thought of her as someone with a heavy presence rather than a "sparkly" type, not a fairy but a real man (or something like it), more of a king than a prince...
However, the reason she is gaining an indescribable glow as the performance draws to a close is probably not just because of her jacket covered in sequins...
When I see her like that, I can't help but cry.
The journey she has walked may be a common one for a top star from a wealthy family, but I have been watching her for a long time. At the same speed as my own life, in real time.
So I think these tears should be mine alone.
There are only a few more times I can see top star Masumi Suzuho.
[Postscript] I'm crying after watching "Aqua Vite" on Sky Stage. It's hard to feel this way unless you've experienced your favorite actor leaving the company.
I got a good seat and went to see the show.
I feel a sense of loneliness creeping up on me as I think about the fact that I'm only a month away from graduating...
At the previous performance, while I was waiting in line to go to the restroom, two ladies behind me were talking, "You know, that...the one with the black panther...I think." Ah, I think they were talking about Yuzuki's retirement performance. I didn't hear what they were saying before or after.
It's often said that retirement performances are never good.
Those who have become fans fairly recently might be thinking, "Eh, but aren't "Land of the Gods" and "Sakura Storm" good? But no, that's really all they've been doing lately (lol)←my opinion. It's also significant that both were written by Kumiko Ueda-sensei.
I'm thinking now that it must be very difficult to create a work that focuses on "people" as a work by a top star who is leaving the company, but is also worthy of being watched as a story.
By the way, I much prefer "Land of the Gods". "Sakura Ran-ki" is well-constructed, and it's full of tear-jerking moments, just like Jiro Asada, but I think it's a bit too explanatory. Maybe it can't be helped since it's a story about the little-known Northern and Southern Dynasties...
This "Casino Royale" is also completely designed for a departing star, so you need to have learned how to enjoy it in your own way to watch it.
On the first day, even I thought "What is this patchwork?" and the way the script was used to get laughs is (to be honest) different from my taste, so I was disappointed.
On the first day of "fff", Nozomi's final work, I felt dizzy, thinking "Wow, is this her retirement?" (laughs) Maybe it's fate.
Still, I gradually came to accept this "Casino Royale" as I went to see it more and more, and I started to enjoy every single scene, from Makaze-san's costume changes, the singing ability of the strange Kiki-chan who always has a secret base, the cuteness of the weak Zun-chan, Moeko who is still in the process of becoming more sophisticated, Kotti's grittiness, Hinako Anon's pairing... I guess the troupes can't change the script after all.
There are some things I can't write about Makaze-san right now, but I've been watching her since she was in her third year of training, and I remember her constantly crying because she couldn't do it, worrying about her lack of individuality in the strong Hoshigumi troupe, and yet she was constantly being promoted and had no time to stop... I can't help but superimpose those past events onto her standing on the stage now.
In that moment, the smug phrase "There are no good performances for retirement performances" fades and becomes more distant.
I tend to watch works rather than "people," but even I can't look at Makaze Suzuho without remembering his works.
Yes, as a very personal story.
Takarazuka Revue is an accumulation of such personal stories.
For both the performers and the audience.
Seeing her shine brighter than ever in the finale, I thought once again of the "final light," even though I have seen the white light of many departing performers. The eye-piercing light that a candle gives off just before it goes out, as it burns out towards the appointed time...
Until now, I thought of her as someone with a heavy presence rather than a "sparkly" type, not a fairy but a real man (or something like it), more of a king than a prince...
However, the reason she is gaining an indescribable glow as the performance draws to a close is probably not just because of her jacket covered in sequins...
When I see her like that, I can't help but cry.
The journey she has walked may be a common one for a top star from a wealthy family, but I have been watching her for a long time. At the same speed as my own life, in real time.
So I think these tears should be mine alone.
There are only a few more times I can see top star Masumi Suzuho.
[Postscript] I'm crying after watching "Aqua Vite" on Sky Stage. It's hard to feel this way unless you've experienced your favorite actor leaving the company.
강원랜드먹튀 마카오카지노대박 타짜 짝귀카지노하는곳 온라인슬롯게임 배팅베팅 고광열카지노추천인 라이브마이다스카지노 what casino open today 바카라검증된곳 슬롯머신꽁머니 라이브바카라조작 로투스바카라방법 퍼스트카지노총판 한국사이트추천 라이브카지노온라인 온라인포커 슬롯환전머니상 먹튀바카라 마이크로게임 인터넷경마 슬롯머신777 한게임슬롯매입 예스호텔 아리아카지노추천 바카라추천 엔트리파우버ㅗㄹ 너를만나기타 엠카지노추천인 슬롯머신팁 사설카지노사이트 넷마블포커골드 메이져놀이터추천 섯다게임 파워볼하는법 카지노유저많은곳 카니발크루즈 슬롯머신그림 무지먹튀 33카지노 동영상보는사이트 슬롯머신프로그램 섯다족보 카지노카드게임 코리아경마 피망모바일머니상 타이틀카지노쿠폰 대표꽁머니 장원토토 온라인바카라 메리트카지노총판 what casinos are open now 카지노먹튀사이트 티파니카지노추천인 쿠폰사이트 슬롯 카림카지노사이트 온라인슬롯사이트추천 메이저놀이터추천 뉴온라인카지노무료쿠폰 메가슬롯가입 바카라골드 온라인카지노정보 프라그마틱 카지노바카라 샌즈바카라싸이트 리얼바카라 강원랜드슬롯머신후기 마카오카지노 먹튀사이트 베트남카지노호텔 theking카지노 온라인슬롯 카지노종류 넷마블바둑이골드 더킹후기 실시간카지노추천 포커사이트 포커패 샌즈카지노싸이트 파워볼알고리즘 토토도메인주소 꽁머니바카라 video game store near me 먹튀sos 아레나db 일본경마 룰렛하기 cuando abren los casinos 슬롯나라2 짝귀카지노총판 카지노룰렛사이트 f1카지노 카지노싸이트 드래곤댄스슬롯 타이틀카지노먹튀 카지노사이트주소 룰렛도박 카지노베팅법 마카오슬롯머신규칙 경마배당 토팡꽁머니 더킹플러스카지노추천 우리카지노계열 슬롯게임하는곳 피망머니환전 바카라배팅 실시간카지노 그래프게임사이트 카림카지노추천 플러스바카라추천 프리카지노먹튀 로즈카지노 창원호텔카지노
Performance at 3:30pm on May 20, 2023
I got a good seat and went to see the show.
I feel a sense of loneliness creeping up on me as I think about the fact that I'm only a month away from graduating...
At the previous performance, while I was waiting in line to go to the restroom, two ladies behind me were talking, "You know, that...the one with the black panther...I think." Ah, I think they were talking about Yuzuki's retirement performance. I didn't hear what they were saying before or after.
It's often said that retirement performances are never good.
Those who have become fans fairly recently might be thinking, "Eh, but aren't "Land of the Gods" and "Sakura Storm" good? But no, that's really all they've been doing lately (lol)←my opinion. It's also significant that both were written by Kumiko Ueda-sensei.
I'm thinking now that it must be very difficult to create a work that focuses on "people" as a work by a top star who is leaving the company, but is also worthy of being watched as a story.
By the way, I much prefer "Land of the Gods". "Sakura Ran-ki" is well-constructed, and it's full of tear-jerking moments, just like Jiro Asada, but I think it's a bit too explanatory. Maybe it can't be helped since it's a story about the little-known Northern and Southern Dynasties...
This "Casino Royale" is also completely designed for a departing star, so you need to have learned how to enjoy it in your own way to watch it.
On the first day, even I thought "What is this patchwork?" and the way the script was used to get laughs is (to be honest) different from my taste, so I was disappointed.
On the first day of "fff", Nozomi's final work, I felt dizzy, thinking "Wow, is this her retirement?" (laughs) Maybe it's fate.
Still, I gradually came to accept this "Casino Royale" as I went to see it more and more, and I started to enjoy every single scene, from Makaze-san's costume changes, the singing ability of the strange Kiki-chan who always has a secret base, the cuteness of the weak Zun-chan, Moeko who is still in the process of becoming more sophisticated, Kotti's grittiness, Hinako Anon's pairing... I guess the troupes can't change the script after all.
There are some things I can't write about Makaze-san right now, but I've been watching her since she was in her third year of training, and I remember her constantly crying because she couldn't do it, worrying about her lack of individuality in the strong Hoshigumi troupe, and yet she was constantly being promoted and had no time to stop... I can't help but superimpose those past events onto her standing on the stage now.
In that moment, the smug phrase "There are no good performances for retirement performances" fades and becomes more distant.
I tend to watch works rather than "people," but even I can't look at Makaze Suzuho without remembering his works.
Yes, as a very personal story.
Takarazuka Revue is an accumulation of such personal stories.
For both the performers and the audience.
Seeing her shine brighter than ever in the finale, I thought once again of the "final light," even though I have seen the white light of many departing performers. The eye-piercing light that a candle gives off just before it goes out, as it burns out towards the appointed time...
Until now, I thought of her as someone with a heavy presence rather than a "sparkly" type, not a fairy but a real man (or something like it), more of a king than a prince...
However, the reason she is gaining an indescribable glow as the performance draws to a close is probably not just because of her jacket covered in sequins...
When I see her like that, I can't help but cry.
The journey she has walked may be a common one for a top star from a wealthy family, but I have been watching her for a long time. At the same speed as my own life, in real time.
So I think these tears should be mine alone.
There are only a few more times I can see top star Masumi Suzuho.
[Postscript] I'm crying after watching "Aqua Vite" on Sky Stage. It's hard to feel this way unless you've experienced your favorite actor leaving the company.
- 이전글조개파티 우회 ※주소모음※ 세상모든링크 커뮤니티 성인 24.11.18
- 다음글야동사이트 ※주소킹※ 사이트순위 모음 야동사이트 세상의모든링크 24.11.18
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